The philosophy of the art of living asks the age-old question of orienting one’s own life: ‘How can I live well?’ An art of living is always called for when people do not know what to do and how to go on, when the ways of life are no longer self-evident, when traditions, conventions, rules, and norms lose their plausibility and individuals begin to worry about themselves. The art of living and of its philosophy has a practical aim: It is not concerned with ethical principles, but with the concrete practice of people’s everyday life, with their individual and successful lives. Friedrich Nietzsche, as he often did, pushed the problem of the art of living to the extreme, making it palpable both in its dignity and in its force. For him, the modern uncertainty of human orientation caused by nihilism pointed to art and aesthetics, which, he supposed, makes life if not justifiable, at least bearable. The arts open up a multi-perspectival seeing and hearing, they experiment with alternative forms and techniques, and create the finest sensibilities for both – Nietzsche himself, with his rich forms of philosophical writing, is an outstanding example of this.

The volume we present here, entails contributions of German-speaking scholars on Nietzsche and the ways of living he proposes, especially, but not alone in Dawn. The papers are selected from a book series on the common issue “Critical Art of Living,” edited by Günter Gödde, Jörg Zirfas, and others, and translated on behalf of the Foundation for Philosophical Orientation.

Our publishing is inaugurated by Werner Stegmaier’s An Orientation to the Philosophy of Friedrich Nietzsche, translated from the original German by the author and Reinhard G. Mueller. The book provides a methodological Nietzsche interpretation, a well-founded overview of Nietzsche’s main philosophical distinctions, and, as a result, a new understanding of his famous concepts of the will to power, the overman, the eternal return of the same, and others. It simultaneously opens up Nietzsche’s philosophical cosmos to our current orientations. The English version adds a postscript on how to study Nietzsche today, after his posthumous notes have been edited in completely revised transcriptions revealing in which ways he actually oriented himself philosophically. From them, we may learn more not only about philosophy, but also, as Kant already taught, about philosophizing.

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